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Shocking, Unrated Horror Flick No One Saw Will Destroy Your Suburban Dreams

By Robert Scucci
| Published

I was having a really good day before I fired up 2009’s Morris County, a three-part horror anthology written and directed by Matthew Garrett about the darkness hiding just beneath the idyllic sheen of modern suburbia. I didn’t know what to expect going into this low-budget romp through the neighborhood, but I figured it would carry the same “everybody has skeletons in their closet” messaging that most films like this do. American Beauty, The Burbs, Happiness, and countless other films have played with this motif with wildly different results, so I went into Morris County with an open mind.

For a film that looks like it was shot for less than $500 (budget information is not publicly available), Morris County still manages to get under your skin and make you want to take a long shower when it’s over. I live in a pretty modern apartment, but still found that I couldn’t get the water hot enough to shock the final sequence out of my brain.

While I can’t say this is the most groundbreaking film of all time, it works with what it has and proves genuinely upsetting on more than one occasion.

Three Stories From The Same Neighborhood

Morris County 2009

Morris County has a structure that feels deliberate, though it may be coincidental. The first story focuses on a teenage girl named Ellie (Darcy Miller) who has clearly lost her way. She’s shut out her parents and taken to drinking and drugging. It’s implied that she regularly trades sexual favors with the liquor store employees so she can buy booze as a minor. Ellie meets her friends in the woods, and they party like teens do.

She’s not yet fully aware of how her behavior will catch up with her, but she soon finds out and has to make peace with herself when she realizes how far gone she actually is.

Chapter two moves away from teenage chaos and into adult misery. This section focuses on Noah (Albie Selznick), a Jewish man struggling to reconcile his latent homosexuality with his faith. Making matters worse is his wife’s affair, which she thinks she’s successfully concealing even though he’s fully aware of it. 

Morris County 2009

He takes solo trips to the adult video store and attempts to hook up with male suitors, which lands him in more trouble than he anticipated. Broken, miserable, and convinced he’s stepping further away from God’s light, Noah finds himself staring down his family, the bottom of a bottle, and the barrel of a gun. It plays out exactly how you’d expect.

Now that Morris County has progressed through middle age, the final story moves into the golden years through the eyes of Iris (Alice Cannon). Forced into early retirement because of her age, Iris suddenly feels lost without the routine she followed for her entire adult life.

Morris County 2009

On her first day of retirement, her husband Elmer (Erik Frandsen) dies while watching TV on the couch. In her profound state of grief, Iris decides to live with Elmer’s rotting corpse and go about her daily routine as if nothing has changed. The first few days are manageable, but as Elmer continues to decompose, it becomes painfully clear that the romance and sense of fulfillment Iris is chasing is just as dead as her husband.

A Horrifying Glimpse At Humanity

While its production values leave quite a bit to be desired, Morris County ultimately does everything it sets out to accomplish. It moves through three phases of life, each one more disturbing than the last, highlighting the uncomfortable truth that growing up, growing old, and dying are rarely graceful experiences.

Everybody is fighting a silent battle, and every so often those battles boil over in the ugliest ways imaginable. From an isolated and angsty teenager barreling through life on hard mode to an elderly woman who refuses to let go of her past and plan her next steps, the film has no trouble getting its point across.

Behind the picket fences and locked front doors, silent suffering hides in the most unassuming places. When people build walls around themselves and let their demons consume them from the inside out, you get exactly what Morris County is showing you.

As of this writing, Morris County is streaming for free on Tubi.


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Nintendo announces Star Fox 64 remake for Switch 2

Nintendo is remaking Star Fox 64, reviving the retro gaming classic for the Nintendo Switch 2. Announced during a surprise Nintendo Direct livestream on Wednesday, Star Fox will not only upgrade the graphics, but also add new features updating it for modern gamers.

Also known as Lylat Wars, Star Fox 64 is a 1997 rail shooter developed for Nintendo 64. Playing as humanoid fox Fox McCloud, players defend the fictional Lylat star system by shooting down enemies and dodging obstacles in his spaceship. Star Fox 64 was a significant hit that is still fondly remembered today — and also spawned the classic meme “do a barrel roll.”

Now Fox McCloud is back in Star Fox, sporting “a more animal-like design” alongside fellow Star Fox team members Falco Lombardi, Peppy Hare, and Slippy Toad.

Star Fox is based on the Nintendo 64 game Star Fox 64, but the visuals have been completely updated,” said Nintendo senior executive officer Yoshiaki Koizumi, speaking via a translator during the prerecorded livestream. “All of the characters in the game have also been redesigned.”

Nintendo states that level layouts will be the same as in Star Fox 64, and that the banter between the Star Fox team is returning. Star Fox 64‘s vehicles are back too, with players able to pilot the Landmaster land vehicle, Blue-Marine submersible, and Fox McCloud’s trusty Arwing spaceship. And yes, it will be able to do a barrel roll.

A screenshot of a mission in 'Star Fox.'


Credit: Nintendo

Screenshot of a cutscene in 'Star Fox,' in which the team are planning a mission.


Credit: Nintendo

The remake does make a few changes though, with new mission briefing cutscenes placed between stages to flesh out the story. Star Fox will have online multiplayer and matchmaking too, allowing players to work in teams and compete against each other remotely. The game will still have local co-op, but rather than the split-screen days of yore, players will be able to share Star Fox from a Nintendo Switch 2 to other local Switch devices via the GameShare.

Interestingly, Star Fox will let players split pilot and gunner controls for a single vehicle if they so choose, which seems like a handy co-op option for getting younger children involved. Players can also use a Joy-Con 2 controller like a mouse for more precise targeting, or go completely old-school with a Nintendo 64 controller.

Star Fox offers character avatars in the Switch 2’s GameChat as well. This feature tracks players’ head and face movements via webcam, animating characters to match it in real time and displaying this to others using Nintendo’s voice and video chat system.

Reaction to Nintendo’s announcement has been mixed. While some are excited about the prospect of a new game in the Star Fox franchise, others have criticised the hyperrealistic look of its anthropomorphic animal characters, or bemoaned the fact that it’s a remake instead of a new original game in the series.

This isn’t Nintendo’s first Star Fox 64 remake. The company previously remade the game for Nintendo 3DS in 2011, entitled Star Fox 64 3D. Then in 2016, the Japanese gaming giant released Wii U reboot Star Fox Zero. A decade later, a new version of Star Fox 64 is now on its way, and it won’t be long to wait.

Star Fox launches on June 25 for $49.99, exclusively on Nintendo Switch 2. Pre-orders are open now.


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Mortal Kombat II review: The bar is in hell for video game movies, huh?

How many times do we have to go through this?

Yes, Mortal Kombat has been a massively popular video game franchise since its spawning in 1992. Yes, its over-the-top kills and thrillingly scornful catchphrases make the fighting games incredibly fun. But despite several attempts including 1995’s Mortal Kombat, 1997’s Mortal Kombat: Annihilation, and the 2021 reboot, also titled Mortal Kombat, not a single good live-action movie has been made from this IP.

Yet here we are again with another ugly, nonsensical mess, this time called Mortal Kombat II.

Mortal Kombat, the last film in this much-flubbed franchise, centered on Cole Young (Lewis Tan), a descendant of Sub-Zero (Joe Taslim), who’s a fish out of water in the titular fighting tournament world. This time, he’s relegated to a tertiary character, so the sequel can pivot to a new fish out of water, Johnny Cage (Karl Urban), a washed-up ’90s action star who’d rather crush a beer than a spine. However, when a malevolent conqueror named Shao Kahn (Martyn Ford) threatens Earthrealm, it’s up to Cage and a coterie of super-powered fighters to win a Mortal Kombat tournament to save their world.

Wisely, Warner Bros. led with Cage in their early promos, releasing teasers that showed a cheeky self-awareness of the Western martial arts movie while suggesting Mortal Kombat II would be funnier than its predecessor. Frustratingly, this is another example of good trailer, bad movie. And a big part of why is that Cage feels like he’s been wedged in, rather than centered on, for a new perspective.

Mortal Kombat II is a befuddling eyesore with sub-zero emotional depth.

Adeline Rudolph as "Kitana" in New Line Cinema's "Mortal Kombat II", a Warner Bros. Pictures Release.

Adeline Rudolph as Kitana.
Credit: Warner Bros. Pictures

Mortal Kombat (2021) director Simon McQuoid is back with muddy CGI settings, rubbery CGI fighters, and much of his movie’s cast reprising their roles. Along with Tan and Taslim, Jessica McNamee is back as Sonya Blade, Josh Lawson as Kano, Mehcad Brooks as Jax, Ludi Lin as Liu Kang, Tadanobu Asano as Raiden, and Hiroyuki Sanada as Hanzo Hasashi / Scorpion.

Joining the fighter line-up opposite Cage are fan-wielding Kitana (Adeline Rudolph), staff-armed Jade (Tati Gabrielle), the many-fanged Baraka (CJ Bloomfield), and Ford as brutish conqueror Shao Kahn.

Now, you might think that’s too many characters to create meaningful story arcs over the course of a 116-minute runtime. And you’d be right!

Sure, screenwriter Jeremy Slater could have narrowed the focus to Cage’s experience to better create a moving narrative, while still folding in the requisite fighting, brawlers, and game allusions. But hey, why not split the story focus between Cage, whose gruff has-been attitude pitches Mortal Kombat II toward a promising Galaxy Quest vibe, and Kitana, whose rebellious warrior princess thread is reminiscent of Guardians of the Galaxy‘s Gamora as she battled Thanos and her “sister” Nebula. But here, Thanos is Shao Kahn, who murders Kitana’s dad in the film’s glacially paced opening sequence. And Nebula is Jade, Kitana’s bestie/guard since she became Shao Kahn’s prisoner as a girl. (If you want more backstory, fret not, there’s plenty.)

Tati Gabrielle as “Jade” in New Line Cinema’s “Mortal Kombat 2,” a Warner Bros. Pictures release.

Tati Gabrielle as Jade.
Credit: Warner Bros. Pictures

Cage won’t even show up for the first 14 minutes of Mortal Kombat II. In that time, the sequel plunges into the same grim and self-serious atmosphere that made McQuoid’s first Mortal Kombat a bore. Sure, the fight scenes are really violent and bloody, befitting the film’s R-rating. But the fights feel disconnected from the storytelling. Worse yet, these battles are shot with very little visual logic, meaning some big blows just don’t hit.

And yep, there sure are recreations of memorable characters, their costumes, weapons, and catchphrases. But the major important distinction between this rebooted movie franchise and the games is, the games were fun.

The most fun Mortal Kombat and Mortal Kombat II can offer is Kano, the only character who resolutely refuses to take things seriously.

Karl Urban shines, but Josh Lawson is Mortal Kombat II‘s MVP.

Karl Urban as “Johnny Cage”, Hiroyuki Sanada as “Scorpion”, and Josh Lawson as “Kano” in New Line Cinema’s “Mortal Kombat 2,” a Warner Bros. Pictures release.

Karl Urban as Johnny Cage, Hiroyuki Sanada as Scorpion, and Josh Lawson as Kano.
Credit: Warner Bros. Pictures

As Cage, Urban brings with him an American arrogance that shakes up the seriousness of the Earthrealm battlers. He’s snarky where they’re stern, creating a feisty dynamic that borders on amusing. But as Cage’s clichéd plot line demands he become a selfless, brave hero, he becomes more grave and less giggle-inducing. Thank the gods for Lawson’s Kano.

This crusty criminal and unrepentant asshole died in the last movie, but like other MK fighters, he’s resurrected for this sequel. Thankfully, rather than being brought back as another humorless revenant, Kano is as chaotically insulting as ever, slinging barbs with reckless abandon. When he mocks necromancer Quan Chi (Damon Herriman) for his “eyeliner,” I howled with laughter. And for a brief moment I thought that between Cage and Kano, this movie might actually begin to get fun!

Alas, my hopes were squashed like a skull under a warhammer. Kano and Cage get to be comic relief, while Kitana broods and a new quest kicks off to heist a magical gem from Shao Kahn, which he effectively uses as an immortality cheat code. Again, life-or-death battles and a heist into the heart of a tyrant’s castle? This should be exciting and entertaining!

Inexplicably, McQuoid bleeds any tension from these sequences with a mangled visual language that makes fights hard to follow and the quest feel like an afterthought. Suspense cannot build because in every other scene, Slater’s script delivers another exposition drop to explain the tournament, the realms, the revenants — on and on! Video games are a visual medium. Movies are a visual medium. Yet much of this movie feels like I got locked into a tedious podcast.

In the end, Mortal Kombat II feels like the wretched compromise of two movie pitches. One is a sequel that closely follows the saga and dolesome tone of the last movie. The other is an action-comedy in the vein of Dungeons & Dragons: Honor Among Thieves. Whether it’s Kano reading other fighters to filth, or a sequence where Cage is chased around a village by a rampaging Baraka, there are moments where Mortal Kombat II flirts with not taking this IP deadly seriously. But then McQuoid pivots back to a tone that’s less Shogun and more Iron Fist. And as sloppy and artless as this adaptation is, it probably won’t matter.

Gamers need to demand more of video game movies.

C.J. Bloomfield as “Baraka” in New Line Cinema’s “Mortal Kombat 2,” a Warner Bros. Pictures release.

CJ Bloomfield as Baraka.
Credit: Warner Bros. Pictures

It’s long been a cliché that video game movies are traditionally bad. I was recently disappointed by the Until Dawn movie and moved to consider my own mortality over the vacuousness of The Super Mario Galaxy Movie. And yet, studios keep plugging along with these movies “for the fans.”

Don’t be fooled. That’s a cynical sales pitch that assumes gamers love the source IP so much that studios don’t need to bring skilled filmmakers or spend the money on top-notch fight choreography, stunts, or visual effects. They believe the fans will come regardless of what they actually put on screen. And maybe they’re right! After all, critics warned that The Super Mario Galaxy Movie was a soulless sequel with more allusions than entertainment. But it’s nearing a billion dollars for worldwide box office. So, why should studios change strategy?

Warner Bros hired a commercial director to make his feature directorial film debut with Mortal Kombat, and now he’s back with a muddled vision that’s an ugly and lifeless slog. But if fans go to the theater or stream this exhaustively on HBO Max, like they presumably did its predecessor, then the bar is in hell, and it won’t be raised.

At least we have more Last of Us to look forward to, right?

Mortal Kombat II opens in theaters on May 8.

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This robotic pool vacuum is basically a Roomba that can swim, and it’s $449 off today

SAVE 35%: As of May 6, you can get the Beatbot AquaSense 2 for $849 at Amazon, down from $1,298. That’s a 35% discount or $449 savings.


$849
at Amazon

$1,298
Save $449

 

I don’t have a pool (well, not a personal one, anyway; I live in an apartment complex), but I do have a robot vacuum, and I know the joy of watching a little machine clean my floors while I do other things. If you apply that same logic to pool maintenance (which I imagine is a lot more annoying than keeping your floors clean), then investing in a robo pool cleaner makes a lot of sense.

And, right now, you can get one of Amazon’s top-rated models for a fraction of the price. As of May 6, you can get the Beatbot AquaSense 2 for $849 at Amazon, down from $1,298. That’s a 35% discount or $449 savings. It’s also the lowest price we’ve seen this model go for. The only problem? Amazon marked this as a “limited-time deal,” and the countdown clock shows it ends in about 16 hours.

This thing works just like an indoor robot vacuum; it maps out its cleaning path and then uses an onboard 4-core CPU and 16 sensors to navigate using an S-path for the pool floor and an N-path to scrub the walls and waterline. It also has a “Double-Pass Scrubbing” feature for the waterline, so it’ll get the grimiest spots twice per pass. Bonus: When it’s done cleaning (or when the battery runs low), it automatically parks itself at the surface of the water so you don’t have to go diving to retrieve it.

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