Entertainment
What Is The One Piece Anyway, And How Will It Make Luffy King Of The Pirates?
By Jonathan Klotz
| Published
When Gol D. Roger was executed, he set off the largest and longest treasure hunt in history. For over a thousand chapters in the manga and a thousand episodes in the anime, Luffy and the Straw Hat Pirates have been seeking the legendary One Piece. They’re not alone, with hundreds of pirates also in pursuit, but after all this time, no one knows what the One Piece is.
It’s true, as at no point has any character, organization, or long-lost map revealed the nature of the One Piece. Fans are in the dark alongside the pirates roaming the Grand Line, with no one sure what it is, but everyone has a theory.
The One Piece Is The Treasure Of Gol D. Roger
Pirate King Gol D. Roger, the only pirate to navigate the entire Grand Line, set off the quest for the One Piece at his execution. Facing death, he laughed and announced to the crowd that no one would find his fortune. The series starts a generation later, with the search still going, and all anyone can figure out is that it’s called “One Piece” because the entire treasure is in one piece.
“My treasure? If you want it, you can have it. Seek it out! I left everything in my life at that place.”
Gol D.Roger, launching the treasure hunt in One Piece
Based on the history of Roger, it’s deduced that the treasure can be found within the Grand Line, but that’s all there is as far as clues to its location. At least, for the longest time, that’s all there was until the introduction of the poneglyphs.
Poneglyphs Hold The Secret To Finding The One Piece
Poneglyphs are carved steles that come in three separate types based on the information that they contain: historical (which reveals the hidden history of the world), instructional (explains where to find historical poneglyphs), and road (which together reveal the location of a hidden island in the Grand Line). Nico Robin and Kozuki Sukiyaki are the only two alive who can allegedly translate the poneglyphs.
Considering the poneglyphs are first mentioned during the Arabasta arc, the live-action One Piece will include them during Season 2, and when they do, expect a lot of new fans to have their minds blown by the information.
The historical poneglyphs, which include information about the “Void Century,” a time period that the World Government doesn’t want anyone to research, may have a direct tie to the nature of the One Piece. Crocodile is searching for an ancient weapon, the Pluton, a lost battleship, while fans think it could be the kingdom overthrown by the nations that went on to form the World Government.
Theories About The One Piece
There are plenty of fan theories out there about what the One Piece could be, from the likely to the downright bizarre. One of the more likely thoughts is that the Grand Line and Red Line will be destroyed by One Piece, thus creating a world without borders (“one piece”). The most common, though, is that the ancient weapons, Uranus, Pluton, and Poseidon, are the ultimate treasure, and by using them, the World Government can be overthrown.
A little more esoteric is that the Devil Fruits are tied to the One Piece, with the treasure perhaps being the origin of the fruits themselves. Others believe it’s only the true knowledge of what happened during the Void Century, which will be so devastating to the World Government it will lead to a mass public uprising and, again, the world uniting into “one piece.”
The least likely theories as to the nature of the treasure are that it’s something we’ve already seen, from Luffy’s hat to Zoro’s swords, or that it’s simply a bottle of sake. Eiichiro Oda, the creator of One Piece, has debunked the theory that the One Piece treasure is “the friends we made along the way,” which we can all agree would be the least satisfying reveal of all time.
It Might Be Connected To Joy Boy
After years of adventure, Gol D. Roger and his crew discovered a lost island, dubbed Laugh Tale, when they found Joy Boy’s treasure there. This treasure revealed, for the first time, the true history of the Void Century, the ancient weapons, and even what the D. originally stood for, and altogether, it was a “funny story,” according to the King of the Pirates. The road poneglyphs point to Laugh Tale, making it the most likely location for the One Piece… but it’s not.
A legendary figure, Joy Boy features prominently in the history of One Piece as either a savior (if you’re a Fishman) or the worst enemy imaginable (if you’re the World Government). Promising to return in 800 years, it’s widely speculated, by fans and in-universe by different characters, that Luffy is the reincarnation of Joy Boy. His newly awakened Gear 5 form bears a striking resemblance to Joy Boy.
How Joy Boy’s treasure ties into the nature of the One Piece is unknown for now, but it’s one of the best leads yet.
No One Knows What The One Piece Is But Everyone Wants It
Well, except Whitebeard, everyone wants to find the One Piece, and in doing so, the balance of power in the world has been changing and warping around the rise of the Straw Hat Pirates. The Seven Warlords? Disbanded. Wano’s borders? Open to everyone. The World Government? Becoming increasingly desperate to hold onto power.
No matter which theory about the true nature of the treasure turns out to be correct, the world the series is set in has been forever altered by the quest. While fans continue to speculate and scrutinize every piece of information from Big Mom, seemingly stating that at least part of the treasure is in Wano, to the potential hints found in the song “Binks Sake,” the journey has been one of the greatest in anime history, and it won’t be ending anytime soon.
Entertainment
Nintendo announces Star Fox 64 remake for Switch 2
Nintendo is remaking Star Fox 64, reviving the retro gaming classic for the Nintendo Switch 2. Announced during a surprise Nintendo Direct livestream on Wednesday, Star Fox will not only upgrade the graphics, but also add new features updating it for modern gamers.
Also known as Lylat Wars, Star Fox 64 is a 1997 rail shooter developed for Nintendo 64. Playing as humanoid fox Fox McCloud, players defend the fictional Lylat star system by shooting down enemies and dodging obstacles in his spaceship. Star Fox 64 was a significant hit that is still fondly remembered today — and also spawned the classic meme “do a barrel roll.”
Now Fox McCloud is back in Star Fox, sporting “a more animal-like design” alongside fellow Star Fox team members Falco Lombardi, Peppy Hare, and Slippy Toad.
“Star Fox is based on the Nintendo 64 game Star Fox 64, but the visuals have been completely updated,” said Nintendo senior executive officer Yoshiaki Koizumi, speaking via a translator during the prerecorded livestream. “All of the characters in the game have also been redesigned.”
Nintendo states that level layouts will be the same as in Star Fox 64, and that the banter between the Star Fox team is returning. Star Fox 64‘s vehicles are back too, with players able to pilot the Landmaster land vehicle, Blue-Marine submersible, and Fox McCloud’s trusty Arwing spaceship. And yes, it will be able to do a barrel roll.
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Credit: Nintendo
Credit: Nintendo
The remake does make a few changes though, with new mission briefing cutscenes placed between stages to flesh out the story. Star Fox will have online multiplayer and matchmaking too, allowing players to work in teams and compete against each other remotely. The game will still have local co-op, but rather than the split-screen days of yore, players will be able to share Star Fox from a Nintendo Switch 2 to other local Switch devices via the GameShare.
Interestingly, Star Fox will let players split pilot and gunner controls for a single vehicle if they so choose, which seems like a handy co-op option for getting younger children involved. Players can also use a Joy-Con 2 controller like a mouse for more precise targeting, or go completely old-school with a Nintendo 64 controller.
Star Fox offers character avatars in the Switch 2’s GameChat as well. This feature tracks players’ head and face movements via webcam, animating characters to match it in real time and displaying this to others using Nintendo’s voice and video chat system.
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Reaction to Nintendo’s announcement has been mixed. While some are excited about the prospect of a new game in the Star Fox franchise, others have criticised the hyperrealistic look of its anthropomorphic animal characters, or bemoaned the fact that it’s a remake instead of a new original game in the series.
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This isn’t Nintendo’s first Star Fox 64 remake. The company previously remade the game for Nintendo 3DS in 2011, entitled Star Fox 64 3D. Then in 2016, the Japanese gaming giant released Wii U reboot Star Fox Zero. A decade later, a new version of Star Fox 64 is now on its way, and it won’t be long to wait.
Star Fox launches on June 25 for $49.99, exclusively on Nintendo Switch 2. Pre-orders are open now.
Entertainment
Mortal Kombat II review: The bar is in hell for video game movies, huh?
How many times do we have to go through this?
Yes, Mortal Kombat has been a massively popular video game franchise since its spawning in 1992. Yes, its over-the-top kills and thrillingly scornful catchphrases make the fighting games incredibly fun. But despite several attempts including 1995’s Mortal Kombat, 1997’s Mortal Kombat: Annihilation, and the 2021 reboot, also titled Mortal Kombat, not a single good live-action movie has been made from this IP.
Yet here we are again with another ugly, nonsensical mess, this time called Mortal Kombat II.
Mortal Kombat, the last film in this much-flubbed franchise, centered on Cole Young (Lewis Tan), a descendant of Sub-Zero (Joe Taslim), who’s a fish out of water in the titular fighting tournament world. This time, he’s relegated to a tertiary character, so the sequel can pivot to a new fish out of water, Johnny Cage (Karl Urban), a washed-up ’90s action star who’d rather crush a beer than a spine. However, when a malevolent conqueror named Shao Kahn (Martyn Ford) threatens Earthrealm, it’s up to Cage and a coterie of super-powered fighters to win a Mortal Kombat tournament to save their world.
Wisely, Warner Bros. led with Cage in their early promos, releasing teasers that showed a cheeky self-awareness of the Western martial arts movie while suggesting Mortal Kombat II would be funnier than its predecessor. Frustratingly, this is another example of good trailer, bad movie. And a big part of why is that Cage feels like he’s been wedged in, rather than centered on, for a new perspective.
Mortal Kombat II is a befuddling eyesore with sub-zero emotional depth.
Adeline Rudolph as Kitana.
Credit: Warner Bros. Pictures
Mortal Kombat (2021) director Simon McQuoid is back with muddy CGI settings, rubbery CGI fighters, and much of his movie’s cast reprising their roles. Along with Tan and Taslim, Jessica McNamee is back as Sonya Blade, Josh Lawson as Kano, Mehcad Brooks as Jax, Ludi Lin as Liu Kang, Tadanobu Asano as Raiden, and Hiroyuki Sanada as Hanzo Hasashi / Scorpion.
Joining the fighter line-up opposite Cage are fan-wielding Kitana (Adeline Rudolph), staff-armed Jade (Tati Gabrielle), the many-fanged Baraka (CJ Bloomfield), and Ford as brutish conqueror Shao Kahn.
Now, you might think that’s too many characters to create meaningful story arcs over the course of a 116-minute runtime. And you’d be right!
Sure, screenwriter Jeremy Slater could have narrowed the focus to Cage’s experience to better create a moving narrative, while still folding in the requisite fighting, brawlers, and game allusions. But hey, why not split the story focus between Cage, whose gruff has-been attitude pitches Mortal Kombat II toward a promising Galaxy Quest vibe, and Kitana, whose rebellious warrior princess thread is reminiscent of Guardians of the Galaxy‘s Gamora as she battled Thanos and her “sister” Nebula. But here, Thanos is Shao Kahn, who murders Kitana’s dad in the film’s glacially paced opening sequence. And Nebula is Jade, Kitana’s bestie/guard since she became Shao Kahn’s prisoner as a girl. (If you want more backstory, fret not, there’s plenty.)
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Tati Gabrielle as Jade.
Credit: Warner Bros. Pictures
Cage won’t even show up for the first 14 minutes of Mortal Kombat II. In that time, the sequel plunges into the same grim and self-serious atmosphere that made McQuoid’s first Mortal Kombat a bore. Sure, the fight scenes are really violent and bloody, befitting the film’s R-rating. But the fights feel disconnected from the storytelling. Worse yet, these battles are shot with very little visual logic, meaning some big blows just don’t hit.
And yep, there sure are recreations of memorable characters, their costumes, weapons, and catchphrases. But the major important distinction between this rebooted movie franchise and the games is, the games were fun.
The most fun Mortal Kombat and Mortal Kombat II can offer is Kano, the only character who resolutely refuses to take things seriously.
Karl Urban shines, but Josh Lawson is Mortal Kombat II‘s MVP.
Karl Urban as Johnny Cage, Hiroyuki Sanada as Scorpion, and Josh Lawson as Kano.
Credit: Warner Bros. Pictures
As Cage, Urban brings with him an American arrogance that shakes up the seriousness of the Earthrealm battlers. He’s snarky where they’re stern, creating a feisty dynamic that borders on amusing. But as Cage’s clichéd plot line demands he become a selfless, brave hero, he becomes more grave and less giggle-inducing. Thank the gods for Lawson’s Kano.
This crusty criminal and unrepentant asshole died in the last movie, but like other MK fighters, he’s resurrected for this sequel. Thankfully, rather than being brought back as another humorless revenant, Kano is as chaotically insulting as ever, slinging barbs with reckless abandon. When he mocks necromancer Quan Chi (Damon Herriman) for his “eyeliner,” I howled with laughter. And for a brief moment I thought that between Cage and Kano, this movie might actually begin to get fun!
Alas, my hopes were squashed like a skull under a warhammer. Kano and Cage get to be comic relief, while Kitana broods and a new quest kicks off to heist a magical gem from Shao Kahn, which he effectively uses as an immortality cheat code. Again, life-or-death battles and a heist into the heart of a tyrant’s castle? This should be exciting and entertaining!
Inexplicably, McQuoid bleeds any tension from these sequences with a mangled visual language that makes fights hard to follow and the quest feel like an afterthought. Suspense cannot build because in every other scene, Slater’s script delivers another exposition drop to explain the tournament, the realms, the revenants — on and on! Video games are a visual medium. Movies are a visual medium. Yet much of this movie feels like I got locked into a tedious podcast.
In the end, Mortal Kombat II feels like the wretched compromise of two movie pitches. One is a sequel that closely follows the saga and dolesome tone of the last movie. The other is an action-comedy in the vein of Dungeons & Dragons: Honor Among Thieves. Whether it’s Kano reading other fighters to filth, or a sequence where Cage is chased around a village by a rampaging Baraka, there are moments where Mortal Kombat II flirts with not taking this IP deadly seriously. But then McQuoid pivots back to a tone that’s less Shogun and more Iron Fist. And as sloppy and artless as this adaptation is, it probably won’t matter.
Gamers need to demand more of video game movies.
CJ Bloomfield as Baraka.
Credit: Warner Bros. Pictures
It’s long been a cliché that video game movies are traditionally bad. I was recently disappointed by the Until Dawn movie and moved to consider my own mortality over the vacuousness of The Super Mario Galaxy Movie. And yet, studios keep plugging along with these movies “for the fans.”
Don’t be fooled. That’s a cynical sales pitch that assumes gamers love the source IP so much that studios don’t need to bring skilled filmmakers or spend the money on top-notch fight choreography, stunts, or visual effects. They believe the fans will come regardless of what they actually put on screen. And maybe they’re right! After all, critics warned that The Super Mario Galaxy Movie was a soulless sequel with more allusions than entertainment. But it’s nearing a billion dollars for worldwide box office. So, why should studios change strategy?
Warner Bros hired a commercial director to make his feature directorial film debut with Mortal Kombat, and now he’s back with a muddled vision that’s an ugly and lifeless slog. But if fans go to the theater or stream this exhaustively on HBO Max, like they presumably did its predecessor, then the bar is in hell, and it won’t be raised.
At least we have more Last of Us to look forward to, right?
Mortal Kombat II opens in theaters on May 8.
Entertainment
This robotic pool vacuum is basically a Roomba that can swim, and it’s $449 off today
SAVE 35%: As of May 6, you can get the Beatbot AquaSense 2 for $849 at Amazon, down from $1,298. That’s a 35% discount or $449 savings.
$849
at Amazon
$1,298
Save $449
I don’t have a pool (well, not a personal one, anyway; I live in an apartment complex), but I do have a robot vacuum, and I know the joy of watching a little machine clean my floors while I do other things. If you apply that same logic to pool maintenance (which I imagine is a lot more annoying than keeping your floors clean), then investing in a robo pool cleaner makes a lot of sense.
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And, right now, you can get one of Amazon’s top-rated models for a fraction of the price. As of May 6, you can get the Beatbot AquaSense 2 for $849 at Amazon, down from $1,298. That’s a 35% discount or $449 savings. It’s also the lowest price we’ve seen this model go for. The only problem? Amazon marked this as a “limited-time deal,” and the countdown clock shows it ends in about 16 hours.
This thing works just like an indoor robot vacuum; it maps out its cleaning path and then uses an onboard 4-core CPU and 16 sensors to navigate using an S-path for the pool floor and an N-path to scrub the walls and waterline. It also has a “Double-Pass Scrubbing” feature for the waterline, so it’ll get the grimiest spots twice per pass. Bonus: When it’s done cleaning (or when the battery runs low), it automatically parks itself at the surface of the water so you don’t have to go diving to retrieve it.
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