Entertainment
The Best Show On Streaming Has Been Canceled, End Of An Era
By Chris Snellgrove
| Published
The advent of streaming completely changed how we watch television, allowing fans to watch whatever they wanted with the press of a button. This is perfect for avid entertainment lovers always looking for their next fix, but as an aging Millennial, I can’t help but think the prominence of streaming took something special away from the overall experience. Television used to be a communal ritual where we all watched the same things at the same time, excitedly sharing our thoughts on the latest shows with fellow fans; now, everyone is siloed in their own entertaining bubbles, enjoying their favorite programming in the stifling comfort of complete isolation.
However, one streaming show set out to change all that: The Last Drive-In on Shudder featured iconic horror guru Joe Bob Briggs hosting scary movies, offering commentary segments throughout where commercials might have gone way back when. While the Last Drive-In segments are available to stream on demand after a couple of days, they would premiere on Friday nights in a live broadcast that superfans would watch at the same time, all while chattering with each other and with Joe Bob (and his perky co-host, Darcy the Mail Girl) on social media. This made this the best show on streaming, but it’s the end of an era now that Shudder has canceled the show.
The Man, The Myth
Since he is something of a cult figure, you may need a primer on Joe Bob Briggs, especially if you’re a younger horror fiend. Joe Bob (real name, John Bloom) started out as a reporter for The Dallas Herald, and he specialized in a niche no one else cared about: shlocky exploitation films and gruesome horror movies you could only find at the local drive-in theater. To cover these movies, Bloom developed the persona of Joe Bob Briggs, a quippy, quirky redneck whose rants offered great insight into genre films while serving as a parody of the prim and proper reviews from film critics like Siskel and Ebert.
In 1985, Briggs made an unexpected jump from the printed page to the stage with a very successful one-man show, An Evening With Joe Bob Briggs. This raised his profile and proved he could entertain large crowds, and this led to an unexpected opportunity: he guest-hosted Drive-In Theater on The Movie Channel, which led to him getting his own show, the appropriately named Joe Bob’s Drive-In Theater. There, he hosted shlocky movies (typically horror films), complete with a tongue-in-cheek tally of things like how many dead bodies and naked breasts appeared in the film.
When Joe Bob’s Drive-In Theater ended, he took his unique brand of entertainment, hosting MonsterVision on TNT. There, he once again hosted a variety of films, but he offered more commentary than ever: rather than appearing only at the beginning of the film, Joe Bob would also pop up on commercial breaks, offering further insights into each movie. When MonsterVision ended, though, Joe Bob largely dropped out of public life, popping up two decades later in a farewell performance that ended up reigniting his career.
A New Era
In 2018, Joe Bob Briggs hosted a 24-hour marathon of movies for Shudder, all of which were initially broadcast as part of the horror streamer’s live feed. This was meant to be a final performance for Joe Bob, giving this old cowboy one last time on the saddle before he rode off into the sunset. However, the marathon proved to be insanely popular, with Shudder’s servers crashing due to the high number of fans all rushing to watch this genre legend dish dirt on spooky movies.
In response, Shudder ordered more specials from him before greenlighting The Last Drive-In With Joe Bob Briggs, a regular series. For the next seven years, Joe Bob hosted one of the most popular series on the streaming platform, and his most ardent fans tuned in to each live broadcast, using social media to connect the entire fandom (affectionately nicknamed “The Mutant Family”). Due to the show’s success, it really looked like Joe Bob would be doing this forever, but just a few days ago, he dropped some devastating news on his fans.
An Emotional Rollercoaster of Announcements
Joe Bob Briggs typically hypes up his upcoming shows on Shudder, offering cryptic hints and funny commentary on platforms like Facebook and X. Ahead of the season finale of The Last Drive-In With Joe Bob Briggs, he made a somber-sounding announcement about how important it was for all of the fandom to tune in for this episode. This led to rampant speculation from fans: some thought Joe Bob needed more live views to get his show renewed, and others thought he would be announcing his retirement because, at 73, he’s one of the oldest entertainers in the business and may be dealing with unknown health issues.
When the episode aired, Joe Bob and co-host Darcy the Mail Girl offered fans some good news and some bad news. The good news is that Joe Bob is quite healthy (or, in his words, “spry as f*ck”), but the bad news is that Shudder is canceling The Last Drive-In. The hosts have apparently known this was coming for a while, but they are currently forbidden from saying exactly what went down and why Shudder (which just updated its app in an attempt to gain more subscribers) suddenly decided to kill the only show that countless fans (myself included) subscribe to this streamer to watch.
An Unknown Future
The silver lining in all of this is that Joe Bob Briggs and Darcy the Mail Girl plan to take their show somewhere else, but they have not yet confirmed where this will be. We likely know where they will not go, and that is Tubi. On X, Joe Bob retweeted a post from Damian Maffei that didn’t explicitly name Tubi but accused “that free streaming app with all the ads” of being a streamer that has been known “to edit movies. Cut things down, and zoom in on scenes.”
Many have pointed out that Tubi doesn’t do this and just streams whatever print of the film they can get, but the implication of the retweet is that Joe Bob doesn’t like the free streaming service and is unlikely to take The Last Drive-In over there. Unfortunately, this brings us no closer to knowing where Joe Bob and Darcy will land and when they’ll start hosting movies again. Until they confirm anything, all fans can do is speculate while mourning the loss of the best show on streaming.
The Drive-In Will Never Die
The Last Drive-In With Joe Bob Briggs was unlike anything else in the streaming world: it featured eclectic horror classics, insightful commentary, and gonzo humor, all while letting fans share the magic together through live broadcasts. It brought the entire Mutant Family together, allowing us to bond over everything from Joe Bob’s signature rants to the shlockiness of our favorite films. Fortunately, the man himself has confirmed he will be returning and keep gracing us with his unique brand of comedic criticism powered by decades of arcane horror film knowledge.
That announcement fulfills the prophecy of something Joe Bob has been reminding us of at the end of every episode since the new show began. A promise, a mantra, and a fervent hope, all rolled into five little words that the Mutants are clinging to now more than ever: “the drive-in will never die.”
Entertainment
Nintendo announces Star Fox 64 remake for Switch 2
Nintendo is remaking Star Fox 64, reviving the retro gaming classic for the Nintendo Switch 2. Announced during a surprise Nintendo Direct livestream on Wednesday, Star Fox will not only upgrade the graphics, but also add new features updating it for modern gamers.
Also known as Lylat Wars, Star Fox 64 is a 1997 rail shooter developed for Nintendo 64. Playing as humanoid fox Fox McCloud, players defend the fictional Lylat star system by shooting down enemies and dodging obstacles in his spaceship. Star Fox 64 was a significant hit that is still fondly remembered today — and also spawned the classic meme “do a barrel roll.”
Now Fox McCloud is back in Star Fox, sporting “a more animal-like design” alongside fellow Star Fox team members Falco Lombardi, Peppy Hare, and Slippy Toad.
“Star Fox is based on the Nintendo 64 game Star Fox 64, but the visuals have been completely updated,” said Nintendo senior executive officer Yoshiaki Koizumi, speaking via a translator during the prerecorded livestream. “All of the characters in the game have also been redesigned.”
Nintendo states that level layouts will be the same as in Star Fox 64, and that the banter between the Star Fox team is returning. Star Fox 64‘s vehicles are back too, with players able to pilot the Landmaster land vehicle, Blue-Marine submersible, and Fox McCloud’s trusty Arwing spaceship. And yes, it will be able to do a barrel roll.
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Credit: Nintendo
Credit: Nintendo
The remake does make a few changes though, with new mission briefing cutscenes placed between stages to flesh out the story. Star Fox will have online multiplayer and matchmaking too, allowing players to work in teams and compete against each other remotely. The game will still have local co-op, but rather than the split-screen days of yore, players will be able to share Star Fox from a Nintendo Switch 2 to other local Switch devices via the GameShare.
Interestingly, Star Fox will let players split pilot and gunner controls for a single vehicle if they so choose, which seems like a handy co-op option for getting younger children involved. Players can also use a Joy-Con 2 controller like a mouse for more precise targeting, or go completely old-school with a Nintendo 64 controller.
Star Fox offers character avatars in the Switch 2’s GameChat as well. This feature tracks players’ head and face movements via webcam, animating characters to match it in real time and displaying this to others using Nintendo’s voice and video chat system.
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Reaction to Nintendo’s announcement has been mixed. While some are excited about the prospect of a new game in the Star Fox franchise, others have criticised the hyperrealistic look of its anthropomorphic animal characters, or bemoaned the fact that it’s a remake instead of a new original game in the series.
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This isn’t Nintendo’s first Star Fox 64 remake. The company previously remade the game for Nintendo 3DS in 2011, entitled Star Fox 64 3D. Then in 2016, the Japanese gaming giant released Wii U reboot Star Fox Zero. A decade later, a new version of Star Fox 64 is now on its way, and it won’t be long to wait.
Star Fox launches on June 25 for $49.99, exclusively on Nintendo Switch 2. Pre-orders are open now.
Entertainment
Mortal Kombat II review: The bar is in hell for video game movies, huh?
How many times do we have to go through this?
Yes, Mortal Kombat has been a massively popular video game franchise since its spawning in 1992. Yes, its over-the-top kills and thrillingly scornful catchphrases make the fighting games incredibly fun. But despite several attempts including 1995’s Mortal Kombat, 1997’s Mortal Kombat: Annihilation, and the 2021 reboot, also titled Mortal Kombat, not a single good live-action movie has been made from this IP.
Yet here we are again with another ugly, nonsensical mess, this time called Mortal Kombat II.
Mortal Kombat, the last film in this much-flubbed franchise, centered on Cole Young (Lewis Tan), a descendant of Sub-Zero (Joe Taslim), who’s a fish out of water in the titular fighting tournament world. This time, he’s relegated to a tertiary character, so the sequel can pivot to a new fish out of water, Johnny Cage (Karl Urban), a washed-up ’90s action star who’d rather crush a beer than a spine. However, when a malevolent conqueror named Shao Kahn (Martyn Ford) threatens Earthrealm, it’s up to Cage and a coterie of super-powered fighters to win a Mortal Kombat tournament to save their world.
Wisely, Warner Bros. led with Cage in their early promos, releasing teasers that showed a cheeky self-awareness of the Western martial arts movie while suggesting Mortal Kombat II would be funnier than its predecessor. Frustratingly, this is another example of good trailer, bad movie. And a big part of why is that Cage feels like he’s been wedged in, rather than centered on, for a new perspective.
Mortal Kombat II is a befuddling eyesore with sub-zero emotional depth.
Adeline Rudolph as Kitana.
Credit: Warner Bros. Pictures
Mortal Kombat (2021) director Simon McQuoid is back with muddy CGI settings, rubbery CGI fighters, and much of his movie’s cast reprising their roles. Along with Tan and Taslim, Jessica McNamee is back as Sonya Blade, Josh Lawson as Kano, Mehcad Brooks as Jax, Ludi Lin as Liu Kang, Tadanobu Asano as Raiden, and Hiroyuki Sanada as Hanzo Hasashi / Scorpion.
Joining the fighter line-up opposite Cage are fan-wielding Kitana (Adeline Rudolph), staff-armed Jade (Tati Gabrielle), the many-fanged Baraka (CJ Bloomfield), and Ford as brutish conqueror Shao Kahn.
Now, you might think that’s too many characters to create meaningful story arcs over the course of a 116-minute runtime. And you’d be right!
Sure, screenwriter Jeremy Slater could have narrowed the focus to Cage’s experience to better create a moving narrative, while still folding in the requisite fighting, brawlers, and game allusions. But hey, why not split the story focus between Cage, whose gruff has-been attitude pitches Mortal Kombat II toward a promising Galaxy Quest vibe, and Kitana, whose rebellious warrior princess thread is reminiscent of Guardians of the Galaxy‘s Gamora as she battled Thanos and her “sister” Nebula. But here, Thanos is Shao Kahn, who murders Kitana’s dad in the film’s glacially paced opening sequence. And Nebula is Jade, Kitana’s bestie/guard since she became Shao Kahn’s prisoner as a girl. (If you want more backstory, fret not, there’s plenty.)
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Tati Gabrielle as Jade.
Credit: Warner Bros. Pictures
Cage won’t even show up for the first 14 minutes of Mortal Kombat II. In that time, the sequel plunges into the same grim and self-serious atmosphere that made McQuoid’s first Mortal Kombat a bore. Sure, the fight scenes are really violent and bloody, befitting the film’s R-rating. But the fights feel disconnected from the storytelling. Worse yet, these battles are shot with very little visual logic, meaning some big blows just don’t hit.
And yep, there sure are recreations of memorable characters, their costumes, weapons, and catchphrases. But the major important distinction between this rebooted movie franchise and the games is, the games were fun.
The most fun Mortal Kombat and Mortal Kombat II can offer is Kano, the only character who resolutely refuses to take things seriously.
Karl Urban shines, but Josh Lawson is Mortal Kombat II‘s MVP.
Karl Urban as Johnny Cage, Hiroyuki Sanada as Scorpion, and Josh Lawson as Kano.
Credit: Warner Bros. Pictures
As Cage, Urban brings with him an American arrogance that shakes up the seriousness of the Earthrealm battlers. He’s snarky where they’re stern, creating a feisty dynamic that borders on amusing. But as Cage’s clichéd plot line demands he become a selfless, brave hero, he becomes more grave and less giggle-inducing. Thank the gods for Lawson’s Kano.
This crusty criminal and unrepentant asshole died in the last movie, but like other MK fighters, he’s resurrected for this sequel. Thankfully, rather than being brought back as another humorless revenant, Kano is as chaotically insulting as ever, slinging barbs with reckless abandon. When he mocks necromancer Quan Chi (Damon Herriman) for his “eyeliner,” I howled with laughter. And for a brief moment I thought that between Cage and Kano, this movie might actually begin to get fun!
Alas, my hopes were squashed like a skull under a warhammer. Kano and Cage get to be comic relief, while Kitana broods and a new quest kicks off to heist a magical gem from Shao Kahn, which he effectively uses as an immortality cheat code. Again, life-or-death battles and a heist into the heart of a tyrant’s castle? This should be exciting and entertaining!
Inexplicably, McQuoid bleeds any tension from these sequences with a mangled visual language that makes fights hard to follow and the quest feel like an afterthought. Suspense cannot build because in every other scene, Slater’s script delivers another exposition drop to explain the tournament, the realms, the revenants — on and on! Video games are a visual medium. Movies are a visual medium. Yet much of this movie feels like I got locked into a tedious podcast.
In the end, Mortal Kombat II feels like the wretched compromise of two movie pitches. One is a sequel that closely follows the saga and dolesome tone of the last movie. The other is an action-comedy in the vein of Dungeons & Dragons: Honor Among Thieves. Whether it’s Kano reading other fighters to filth, or a sequence where Cage is chased around a village by a rampaging Baraka, there are moments where Mortal Kombat II flirts with not taking this IP deadly seriously. But then McQuoid pivots back to a tone that’s less Shogun and more Iron Fist. And as sloppy and artless as this adaptation is, it probably won’t matter.
Gamers need to demand more of video game movies.
CJ Bloomfield as Baraka.
Credit: Warner Bros. Pictures
It’s long been a cliché that video game movies are traditionally bad. I was recently disappointed by the Until Dawn movie and moved to consider my own mortality over the vacuousness of The Super Mario Galaxy Movie. And yet, studios keep plugging along with these movies “for the fans.”
Don’t be fooled. That’s a cynical sales pitch that assumes gamers love the source IP so much that studios don’t need to bring skilled filmmakers or spend the money on top-notch fight choreography, stunts, or visual effects. They believe the fans will come regardless of what they actually put on screen. And maybe they’re right! After all, critics warned that The Super Mario Galaxy Movie was a soulless sequel with more allusions than entertainment. But it’s nearing a billion dollars for worldwide box office. So, why should studios change strategy?
Warner Bros hired a commercial director to make his feature directorial film debut with Mortal Kombat, and now he’s back with a muddled vision that’s an ugly and lifeless slog. But if fans go to the theater or stream this exhaustively on HBO Max, like they presumably did its predecessor, then the bar is in hell, and it won’t be raised.
At least we have more Last of Us to look forward to, right?
Mortal Kombat II opens in theaters on May 8.
Entertainment
This robotic pool vacuum is basically a Roomba that can swim, and it’s $449 off today
SAVE 35%: As of May 6, you can get the Beatbot AquaSense 2 for $849 at Amazon, down from $1,298. That’s a 35% discount or $449 savings.
$849
at Amazon
$1,298
Save $449
I don’t have a pool (well, not a personal one, anyway; I live in an apartment complex), but I do have a robot vacuum, and I know the joy of watching a little machine clean my floors while I do other things. If you apply that same logic to pool maintenance (which I imagine is a lot more annoying than keeping your floors clean), then investing in a robo pool cleaner makes a lot of sense.
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And, right now, you can get one of Amazon’s top-rated models for a fraction of the price. As of May 6, you can get the Beatbot AquaSense 2 for $849 at Amazon, down from $1,298. That’s a 35% discount or $449 savings. It’s also the lowest price we’ve seen this model go for. The only problem? Amazon marked this as a “limited-time deal,” and the countdown clock shows it ends in about 16 hours.
This thing works just like an indoor robot vacuum; it maps out its cleaning path and then uses an onboard 4-core CPU and 16 sensors to navigate using an S-path for the pool floor and an N-path to scrub the walls and waterline. It also has a “Double-Pass Scrubbing” feature for the waterline, so it’ll get the grimiest spots twice per pass. Bonus: When it’s done cleaning (or when the battery runs low), it automatically parks itself at the surface of the water so you don’t have to go diving to retrieve it.
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