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The Netflix Film That Nearly Killed A Decades-Old Franchise Is Secretly Brilliant

By Chris Snellgrove
| Published

After a controversial purchase by Amazon for a cool billion dollars, it’s fair to say the James Bond franchise is as healthy as it has ever been. But nearly four decades ago, the failure of a single film nearly did what villains like Blofeld and Goldfinger had always failed to do: kill 007, once and for all. That movie was Licence to Kill (1989), and after it became the least profitable film in Bond history, producers put the popular film series on hold until they could develop a movie that would leave general audiences both shaken and stirred.

However, Licence to Kill is an excellent Bond film, and this Timothy Dalton classic only seemed overly serious compared to the goofiness of the Roger Moore movies; these days, Dalton’s more serious Bond fits right in with the more grounded and violent world of the Daniel Craig 007 movies. The truth is that Licence to Kill has been in need of a critical reevaluation for almost 40 years, and that reevaluation starts right now. All you have to do is grab your remote (just don’t grab the exploding one!) and stream this misunderstood spy classic on Netflix.

Some Serious Bond-age

The premise of Licence to Kill is that after James Bond’s friend Felix Leiter (a CIA agent and longtime girlfriend) is tortured and his new wife is killed, 007 becomes obsessed with getting revenge on the attackers. This interferes with his job as a secret agent, and when his boss objects, Bond resigns from MI6 to become a rogue agent. Now, without his titular licence to kill or the resources of his government, Bond must engage in a globe-trotting mission of vengeance, one where a single mistake could easily cost him his life. 

The cast of Licence to Kill has some familiar Bond faces in it, including Desmond Llewelyn as Q, 007’s faithful tech guru. Similarly, Robert Brown reprises his familiar role as M, and Caroline Bliss returns to once again play Moneypenny alongside Dalton’s Bond. Most surprisingly, David Hedison returns to play Felix Leiter for the first time in 16 years; he previously played the plucky CIA agent in Live and Let Die.

A Cast Full Of Surprises

There are some other pleasant surprises in the cast (including Benicio del Toro in a minor role), but the real highlight here is Timothy Dalton, who gives his James Bond more of the brooding intensity found in the original books by Ian Fleming. He spends more time cracking heads than cracking jokes, and he takes very clear pleasure in doling out pain to some of the worst people in the planet. In this way, Dalton is a very interesting precursor to Daniel Craig, whose era as Bond was famous for its more grim and gritty portrayal of 007.

License to Kill ended up earning $156.1 million against a budget of $32 million, which may seem like a solid profit on paper. However, after accounting for inflation, this was actually the least successful Bond movie ever made, one that featured strong competition from various box office bangers like Batman, Ghostbusters II, and Indiana Jones and the Last Crusade, the latter featuring original 007 actor Sean Connery. Because of this, producers took a break from making new Bond films for a few years before reinvigorating the franchise with GoldenEye (which starred Pierce Brosnan as a more affable secret agent) in 1995.

Shaken, Stirred, And Bleeding

When Licence to Kill came out, reviewers found it as enjoyable as a ride in an Aston Martin. On Rotten Tomatoes, it has a 79 percent rating, with critics praising Timothy Dalton’s Bond as more intense than any incarnation of the character we had seen before. While noting that his intensity and the film’s much darker tone may not be everyone’s cup of tea (or martini), the critics also praised this Bond film for a variety of chase and fight scenes that reliably keep you on the edge of your seat.

As the critics hinted at, how much you enjoy Licence to Kill will largely depend on what you want out of a James Bond film. Sean Connery originally transformed Bond’s more dour literary character into a lighthearted secret agent who was more interested in cracking dry jokes and bedding beauties than dispensing violence. By contrast, Dalton’s Bond is on a mission of righteous rage, and this permeates the mostly grim tone of an action film as unforgiving as it is unrelenting.

I’m also a big fan of the Ian Fleming Bond novels, and until Casino Royale came along, Licence to Kill was the only film in the franchise to capture the spirit of those books. In Fleming’s novels, 007 is not a flamboyant secret agent; rather, he is a cold and calculating government killer who can get surprisingly emotional when something bad happens to someone he cares about. In this sense, Dalton’s Bond is very book accurate, as he’s willing to forsake his entire career and risk multiple international incidents in order to avenge his friend.

The Darker Side Of 007

Personally, I’ve always found the darker tone of License to Kill part of its charm: it’s unlike any of the 007 films before Daniel Craig began playing Bond, and it’s actually better than most films in the Craig era. Plus, I found Roger Moore far too goofy as Bond, so I appreciated the seriousness of Dalton as a kind of course correction for the franchise. He wasn’t what ‘80s audiences wanted to see on the big screen, but now that Craig made the idea of a very serious Bond popular again, more and more fans of the franchise have rediscovered the joys of Dalton’s stone-cold killer version of 007 in Licence to Kill.

Licence to Kill nearly destroyed one of the most beloved movie franchises of all time, but beneath its bad reputation hides one of the best James Bond movies ever made. To discover what happens when Bond ditches the license but never stops killing, all you have to do is stream this blockbuster spy thriller on Netflix. You might not be all that shaken or stirred, but trust me: you’ll be seriously entertained from beginning to end!


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Beloved Always Sunny Character Announces Long-Awaited Return

By TeeJay Small
| Published

FX’s It’s Always Sunny In Philadelphia is widely considered to be one of the greatest television comedies of all time. Even though the screwball series began with a rag-tag crew of misfit twenty-somethings who could barely light a soundstage, the show has evolved to have some of the most jaw-dropping moments on television. While it’s been a blast watching the gang lie, cheat, steal, and double cross each other for the past 17 seasons, most fans agree that the show’s biggest draw is its growing rogues gallery of bystanders.

These wacky side characters, most of whom appear significantly worse for wear with each passing appearance on the show, include street urchin Rickety Cricket, Ben the soldier, and the bizarre, incestuous family known as the McPoyle clan. Thanks to a post from Guillermo del Toro on X, we now know that one of the most iconic McPoyles is coming back for Always Sunny‘s 18th season. The character, known as Pappy McPoyle, is a family patriarch, proud bird owner, and occasional eyeball snatcher, who last appeared on the show’s 11th season.

The Pap Is Back!

In case you missed it, legendary filmmaker and three-time Oscar winner Guillermo del Toro is the decorated thespian responsible for bringing Pappy McPoyle to life. You might not recognize him under the billowing beard, Gandalf-length white hair, and dirt that covers his entire face. As the story goes, del Toro first raised the possibility of doing a cameo appearance in Always Sunny while he was working with series star and co-creator Charlie Day on the 2013 film Pacific Rim. As they discussed the role, the Oscar-winner became committed to the idea of playing the most depraved and disgusting character the Sunny crew could conjure, and Pappy was born.

To date, Pappy has made his way onto It’s Always Sunny In Philadelphia just twice, though he’s made a big impact on fans even with his limited screen time. He first showed up disheveled and ornery during the events of season 8’s “The Maureen Ponderosa Wedding Massacre,” and later took the witness stand in season 11’s “McPoyle vs. Ponderosa: The Trial of the Century.” According to the show’s lore, the entire McPoyle crew sprang forth from his mighty loins, along with one unnamed McPoyle who attempted to devour him upon birth. Fear not, intrepid viewer: Pappy ate him first.

Over A Decade In The Making

Last time we saw Pappy McPoyle, he was sicking his Pocono swallow on a courtroom full of unsuspecting people, and demanding that the bird snatch the eyeball of everyone’s favorite Harvard-educated lawyer. The interaction concluded with sweeping pandemonium, leaving fans unsure if Pappy was arrested by the court bailiff, or if he slinked off into the night, content to feast upon his freshly-snatched peeper under the cover of darkness. It’s been over 10 years since that episode aired, so we’ll have a lot of catching up to do once Always Sunny‘s 18th season finally arrives.

Guillermo del Toro’s social media post is quite cryptic. It doesn’t provide much direct information, other than an overt confirmation that Pappy McPoyle will return. For now, we’ll just have to wait for new episodes of It’s Always Sunny In Philadelphia to release in order to find out where he’s been, where he’s headed, and what avian horrors await under his hat.


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Winona Ryder's Raunchy, R-Rated 80s Comedy Still Shocks Audiences Today

By Chris Snellgrove
| Published

Old-timers love to wax philosophic about the good old days of cinema and how modern Hollywood just can’t create anything quite like the hit movies of yesteryear. A frequent theme of these complaints is that certain subjects have become taboo, which is why we no longer get R-rated comedies filled with nudity and transgressive humor. Most of the time, these gripes are overblown. While there are still plenty of transgressive movies out there, studio execs prefer to play it safe with big celebrity films for fear of scaring off the audience.

Back in 1988, though, we got Heathers, a star-studded film that could absolutely never be made today. That’s because this black comedy explores some of the most taboo subjects modern audiences can imagine, including school shootings and teen suicide, and it does so in the funniest possible way. If you’re ready for the most mean-spirited, hilarious movie of the ‘80s, then it’s time to grab your favorite flavor of corn nuts and stream Heathers for free on Tubi.

The ’80s Are Sexier Than Ever

The premise of Heathers is that the high school of a sleepy Ohio suburb is ruled with an iron fist by three popular and ruthless students: the titular Heathers. New girl Veronica desperately wants to join their clique, but her priorities seem to change when she meets a brooding and mysterious transfer student. When he helps her with a prank that turns out to be deadly, it’s soon clear that nobody’s lives will ever be the same.

The young cast of Heathers has some titanic talent, including the late, great Kim Walker (best known outside this film for Say Anything) as the ruthless leader of the Heathers, a shark trawling her high school for prey. That would-be prey includes a character played by ‘80s icon Winona Ryder (best known for Little Women) and a fellow Heather played by ‘90s icon Shannon Doherty (best known for Beverly Hills, 90210). But the real star of this black comedy is Christian Slater (best known for Very Bad Things), who does his best Jack Nicholson impression while creating one of the most compelling villains in cinematic history.

The Film That Blew Critics Away

Even though it was a critical darling (more on this very soon), Heathers was a box office bomb upon release, earning a paltry $1.1 million against its modest budget of $3 million. However, it quickly gained a cult following on home video, and this eventually led to two very different follow-up projects. The first was a short-lived television series that only got 10 episodes, while the second was an immensely successful Broadway musical, which can currently be streamed for free (check it out, it’s weirdly good!) on The Roku Channel.

When Heathers came out, it hit the critical world with all the impact of a bomb blast. On Rotten Tomatoes, it has a 95 percent, with critics praising the film for its dark humor, cynical characters, and subversive plot line. They also noted that this movie was a serious game-changer, one that left a permanent mark on every teen comedy that followed in Heathers’ bloody footsteps.

Heads Up, Hollywood: There’s A New Sheriff In Town

Heathers is one of those black comedies that never pulls any punches, and the film is that much stronger for it. It’s a movie where two characters make an accidental murder look like a suicide, and they keep doing so to cut out the worst of the student body like a cancer.

That’s already bleak enough, but the cherry on top is that the idiotic high school leaders assume this is part of a nationwide problem where youngsters view suicide as trendy. In a modern age where influencers can’t even say the word “suicide,” the movie’s in-universe song lyrics “Teenage suicide/ Don’t do it!” are transgressively funnier than ever before.

In the wrong writer’s hands, the ghoulish plot would be as dead as our main characters’ growing number of victims. But the script by first-time screenwriter Daniel Waters (he would go on to write such ‘90s bangers as Batman Returns and Demolition Man) will keep you laughing, even when the subject material is something you’re never supposed to laugh at. Heck, this is a film that dares to transform topics as taboo as school shootings into just another macabre punchline.

You’ll Definitely Preach About This Movie

It helps that Waters has such a solid handle on writing for young characters, and he does a pitch-perfect job of transforming the fictional Heathers high school into something universally recognizable. You might not have had to deal with a literal group of Heathers growing up, but every high school has their imperious, “too cool for school” cliques, just as every high school has a quirky new kid who tries to look like a mysterious rebel. High school is all about trying different identities on for size, and Heathers is shockingly adept at comedically navigating the gap between how we appear today and what we hope to look like tomorrow.  

Of course, this tight script would be nothing without killer performances from actors like Christian Slater, who is at his charismatic best as a new kid out to make his daddy issues everyone else’s problem. Winona Ryder, meanwhile, is perfect as an ingenue who can’t decide whether she wants to join the elites of her high school, or take the time to discover what she really wants (which may or may not involve the cute new boy who keeps causing trouble). But the biggest revelation of this film is the late, great Kim Walker, whose Heather Chandler character is the perfect embodiment of sarcasm, style, and sex appeal (not to mention corn nuts).

Punch It In

With lines like “f*ck me gently with a chainsaw,” Heathers established itself as one of the greatest black comedies ever made. Will you enjoy watching this ‘80s classic, or will it leave you wanting to kill this film and make it look like an accident? The only way to find out is to grab your remote (preferably with a Big Gulp Slurpee from 7-Eleven in your other hand) and stream Heathers for free on Tubi.


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X-Files Turned Greatest Natural Mystery Into Legendary Episode

By Jonathan Klotz
| Published

During The X-Files’ historic run, Mulder and Scully tackled mysteries both large (aliens) and small (Was Scully’s old partner really possessed?), leading to the Season 6 episode, “Triangle,” where Mulder finds himself trapped in the Bermuda Triangle. It was only in the last decade that the mystery of the Bermuda Triangle started to vanish from pop culture.

Once on the same level as quicksand as far as Gen X and Millennials were concerned, the area between Florida’s east coast, Bermuda, and Puerto Rico has been the site of countless lost ships, planes, and mysterious sightings. The “Devil’s Triangle” was the perfect setting for a standalone episode, and “Triangle” turned out to be one of the best of the series. 

The Monster Of The Week Is The Bermuda Triangle

Agent Mulder (David Duchovny) is stuck on a raft out in the ocean when the Queen Anne ocean liner picks him up. This would be a good thing except it’s 1998, and the Queen Anne vanished within the Bermuda Triangle in 1939. Mulder quickly realizes that he’s the one who went back in time after German officers, led by a man who looks exactly like the Smoking Man (William B. Davis), comes on board, and a radio broadcasts the start of World War II. 

The Germans are searching for “Thor’s Hammer,” one of the Allies’ secret weapons, which Mulder helpfully corrects by explaining that “Thor’s Hammer” is a person, not a weapon. During his interrogation, a past version of Scully (Gillian Anderson), or at least a woman who looks exactly like her, steps forward to put an end to it. This sets off a chase sequence shot to look a single-take thanks to some carefully timed edits that ties together both the 1939 Queen Anne with the 1998 version. 

While Mulder is with Not-Scully in the past, present Scully and the Lone Gunmen are exploring the present ship, which mysteriously turns up in the middle of the ocean with not a single soul on board. In a split screen, viewers watch the past on the left and the present on the right as they all go down the same hall, and then pass each other, alternating the perspective. It’s a fun effect, but it’s what comes next that got The X-Files fans all excited. 

The X-Files Sort Of Gave Fans What They Wanted

After years of teasing and buildup, Mulder kissed Scully. Well, Not Scully, right before he jumps overboard in 1939. In 1998, he wakes up and confesses his love to Scully, who blows him off. Every single fan of The X-Files had been waiting for the kiss, and in “Triangle” it finally happened, sort of. It was a genius way for creator/director/writer Chris Carter to give fans the moment they wanted without impacting the series’ established arc. 

“Triangle” was purposely designed by Carter not to tease fans for another year, but as a challenge to himself to use as little film roll as possible. The long tracking shots were inspired by Alfred Hitchcock’s Rope, and the dual time narrative came from The Twilight Zone episode, “An Occurrence at Owl Creek Bridge.” Put together, and “Triangle” looks like nothing that came before or after. 

The X-Files would go on to pair Mulder and Scully together as a romantic couple, finally paying off the year’s worth of fanfictions and pleading from the fans. Thanks to the technical first kiss, and the inventive storyline that was a little bit time loop and a little bit Wizard of Oz, “Triangle” remains a fan favorite to this day. Few shows can say that one of their best episodes came six seasons in, but then again, few shows were as revolutionary as The X-Files.


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